Tuesday, July 3, 2012

Hoa Lo Prison In Hanoi

Hoa Lo Prison In Hanoi
Hoa Lo Prison In Hanoi
The Hoa Lo Prison (Vietnamese: Hoa Lo, commonly translated as "fiery furnace", actually means "stove". The name originated from the street name "Pho Hoa Lo" due to the concentration of stores selling wood stoves and coal-fire stoves along the street from pre-colonial times)

Hoa Lo Prison Hanoi

Later known to American prisoners of war as the Hanoi Hilton, was a prison used by the French colonists in Vietnam for political prisoners and later by North Vietnam for prisoners of war during the Vietnam War. The prison was built in Hanoi by the French in 1901, when Vietnam was still part of French Indochina to hold Vietnamese prisoners, particularly political prisoners agitating for independence who were often subject to torture and execution. The French called the prison Maison Centrale - a usual term to denote prisons in France.

U.S. POWs endured conditions that were miserable, and were fed food so bad that the prison was sarcastically nicknamed the "Hanoi Hilton," in reference to the well-known Hilton Hotel chain.

The Hanoi Hilton was merely one site used by the North Vietnamese Army to torture and interrogate captured servicemen, mostly American pilots shot down during bombing raids. Communist propagandists countered by stating that prisoners were treated with decency and that the prison was no worse than prisons for POWs and political prisoners in South Vietnam such as the one on Con Son Island.
Hoa Lo Prison Hanoi
When prisoners of war began to be released from this and other North Vietnamese prisons in the late 1960s and early 1970s, their testimonies revealed widespread and systematic abuse of prisoners of war. Initially this information was suppressed by American authorities for fear that conditions might worsen for the those remaining in North Vietnamese custody.

After the Paris Peace Accords implementation, neither the United States nor its allies ever formally charged North Vietnam with the war crimes revealed to have been committed there. Extradition of North Vietnamese officials who had violated the Geneva Convention was not a condition of the U.S. withdrawal and ultimate abandonment of the South Vietnam government. The present government of Vietnam firmly holds to the view that the Hanoi Hilton was a prison for criminals, not POWs, and that those held in the Hanoi Hilton were "pirates" and "bandits" who had attacked Vietnam without authority.

Vice Presidential candidate James Stockdale and decorated U.S. Air Force pilot Bud Day were held as a prisoners at the Hanoi Hilton, as was Senator John McCain, who spent parts of his five and a half years as a POW there. Actress Jane Fonda visited the Hanoi Hilton as part of an anti-war publicity trip. Brigadier General Robbie Risner was the senior ranking POW, responsible for maintaining chain of command among his fellow prisoners, from 1965 to 1973. He wrote the book Passing of the Night detailing his 7 years at the Hanoi Hilton. Air Force colonel and record-setting parachutist Joseph Kittinger spent 11 months in prison there.

The Hanoi Hilton was depicted in the eponymous 1987 Hollywood movie The Hanoi Hilton.
Hanoi Tower, built on the site of the infamous prison "Hanoi Hilton"; the entrance to the remaining parts of the prison visible in the foreground.

John McCain's flight suit and parachute, on display in the museum part of the Hoa Lo site. Only part of the prison exists today as a museum. Most of it was demolished during the construction of a high rise that now occupies most of the site. The interrogation room where many newly captured Americans were questioned (notorious among former prisoners as the "blue room") is now made up to look like a very comfortable, if Spartan, barracks-style room. Displays in the room claim that Americans were treated well and not harmed (and even cite the nickname "Hanoi Hilton" as proof that inmates found the accommodations comparable to a hotel's). Former prisoners' published memoirs and oral histories broadcast on C-SPAN identify the room (and other nearby locales) as the site of numerous acts of torture. Murder, beatings, broken bones, teeth and eardrums, dislocated limbs, starvation, serving of food contaminated with human and animal feces and medical neglect of infections and tropical disease are matter-of-fact details revealed in famous accounts by McCain, Denton, Alvarez, Day, Risner, Stockdale, Johnson and dozens of others.

There is now a Hilton Hotel in Hanoi, called the Hilton Hanoi Opera Hotel, which opened in 1999. It was built decades after the Vietnam War was over, but Hilton carefully avoided reusing the dreaded name Hanoi Hilton.
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One Pillar Pagoda in Hanoi

 One Pillar Pagoda in Hanoi
 One Pillar Pagoda in Hanoi
One Pillar Pagoda is on Chua Mot Cot Street, Ba Dinh District, Hanoi. The One Pillar Pagoda is a cultural and historic relic, unique for its architectural features.

 One Pillar Pagoda


The pagoda was first built in 1049 under the Ly Dynasty, on the west side of the ancient Thang Long Capital. Its original name was Dien Huu, expressing the wish for longevity for the second King Ly. The pagoda is built in the shape of a lotus blooming on its stem.
 One Pillar Pagoda
The pagoda was built after the description of a dream of King Ly Thai Tong who reigned between 1028 and 1054, in which Bodhisattva Avalokitesvara, the Goddess of Mercy, led him to a lotus flower.

The actual One Pillar Pagoda is the miniature reconstruction of a large, ancient, royal Buddhist building. The pagoda is open daily from 8am to 5pm.
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Ngoc Son Temple in Hanoi

Ngoc Son Temple in Hanoi
Ngoc Son Temple in Hanoi
Ngoc Son Temple is on Hoan Kiem Lake, Hoan Kiem District, Hanoi. Hoan Kiem Lake was already considered the most beautiful lake in Hanoi when Ngoc Son Temple was built on an island in the 19th century.

Ngoc Son Temple Hanoi

Initially, the temple was called Ngoc Son Pagoda and was later renamed Ngoc Son Temple, since temples are dedicated to saints.

Saint Van Xuong, considered to be one of the brightest stars in Vietnam's literary and intellectual circles, was worshipped there. National hero Tran Hung Dao is also worshipped after he led the Vietnamese people to victory over the Yuan aggressors.
Ngoc Son Temple
The temple as it is today is the result of renovations made by Nguyen Van Sieu in 1864. A Confucian scholar, Nguyen Van Sieu had a large pen-shaped tower built at the entrance of the temple. On the upper section of the tower, also called Thap But, are three Chinese characters Ta Thanh Thien, which literally means "to write on the blue sky” is to imply the height of a genuine and righteous person's determination and will; Dai Nghien, meaning "ink stand", is carved from stone resembling a peach placed on the back of the three frogs on top of the gate to the temple; and The Huc, meaning "where rays of morning sunshine touch".

On the way to the temple there are several parallel sentences (cau doi), written on the walls. These cau doi were part of traditional word puzzles played by educated individuals. 
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Hanoi Flag Tower

Hanoi Flag Tower
Hanoi Flag Tower
Flag Tower is on Dien Bien Phu Street, Ba Dinh District, Hanoi; near Ba Dinh Square. Hanoi Flag Tower, also called Cot Co, is one of the rare architectural works in Hanoi that was fortunate enough to not be destroyed by the French administration between 1894 and 1897.

Flag Tower in Hanoi

It was used by French troops as an observation tower and communication station between command headquarters and adjacent military posts.
Hanoi Flag Tower Vietnam
It was built in 1812 and is composed of three platforms and a tower. The words Nghenh Huc, meaning "to welcome dawn's sunlight," are inscribed on the eastern door. The western door bears the two words Hoi Quang, meaning "to reflect light," and the southern door, Huong Minh, meaning "directed to the sunlight."

The tower receives sunlight through 36 flower-shaped and six fan-shaped windows.
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Co Loa Historical Site in Hanoi

Co Loa Historical Site
Co Loa Historical Site
This relic of an ancient urban area and military citadel is located in Co Loa Village, Dong Anh District, Hanoi.

Co Loa Historical Site


Throughout history, Co Loa was nominated twice as the capital of Vietnam: the first time during the An Duong Vuong era in the late 3rd and early 2nd century BC, and the second time during the Ngo Vuong Quyen reign in the middle of the 10th century.
Co Loa Historical Site in Hanoi
The three ramparts archeological relics from the Bronze and Iron ages are 16km long. The complex of religious and commemorative relics includes Ngu Trieu Di Qui Communal House, My Chau Temple, and Bao Son Pagoda. Mystical relics such as Ngoc Well, Flag Tower, and Ngu Xa Castle make of this area a culturally and historically interesting area.
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Ho Chi Minh Museum

Ho Chi Minh Museum
Ho Chi Minh Museum
Ho Chi Minh Museum is located at 3 Ngoc Ha Street, Ba Dinh District, Hanoi; near Ho Chi Minh’s Mausoleum. The museum is a four-story building covering a total area of 100ha and designed in the shape of a lotus flower as a symbol of President Ho’s noble character.

Ho Chi Minh Museum  in Hanoi


This museum was completed on 9 May 1990 for the 100th anniversary of President Ho Chi Minh’s birthday.
Visiting hours:
From 8:00 to 11:00 and from 13:30 to 16:30 daily except Monday and Friday.
Ho Chi Minh Museum in Hanoi
The main showroom displays 117,274 documents, articles, pictures and exhibits illustrating the historical events that took place during President Ho Chi Minh’s life, as well as important events that occurred in the rest of the world since the end of the 19th

The museum contains other rooms such as a library, a large hall, meeting rooms and research rooms.

Since its opening, the museum has welcomed millions of domestic and foreign visitors. It is open from 8 am to 11 am and 1.30pm to 4.30 pm daily except Monday and Friday. Photography is forbidden. Cameras and bags must be left at the reception
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Vietnam Museum of Ethnology

Vietnam Museum of Ethnology
Vietnam Museum of Ethnology
Vietnam Museum of Ethnology is both a research centre and a public museum exhibiting the ethnic groups of Vietnam.

Vietnam Museum of Ethnology in Hanoi

The mission of the Museum is scientific research, collection, documentation, conservation, exhibition and preserving the cultural and historic patrimony of the nation’s different ethnic groups. The museum also serves to guide research, conservation, and technology that are specific to the work of an ethnographic museum. In its planning for the future, the Museum intends to present the cultures and civilisations of other countries of South-East Asia as well as in the region.

Vietnam Museum of Ethnology Establishment

Vietnam Museum of Ethnology in Hanoi
Vietnam is a multi-ethnic country, which is composed of 54 ethnic groups. Perceiving the importance of having an ethnographic museum to preserve and present the cultural heritages of ethnic groups, the Government decided to establish a museum of ethnology in Hanoi. The Proposal for the Vietnam Museum of Ethnology was officially approved on December 14, 1987. Land was allocated for construction: in 1987, 2,500m2 and in 1988, 9,500m2. Then, in 1990, the Prime Minister decided to allocate the entire 3,27 acres of land to the Museum.

During construction (1987 to 1995), the Project Managing Board and the Museum Department were a part of the Institute of Ethnology. On October 24, 1995, the Prime Minister made the decision on establishment of the Vietnam Museum of Ethnology, under National Centre for Social Sciences and Humanities. On November 12, 1997, the Vietnam Museum of Ethnology inaugurated its permanent exhibition and officially opened to the public.

The Museum is located in a large open area on Nguyen Van Huyen Street, Cau Giay District, about 8 km from the city centre. This area used to be paddy field of the local people. During the construction of the Museum, all of the infrastructure was built, including the 700m road from Hoang Quoc Viet Street to the entrance of the Museum. (In the near future, this road will reach the Daewoo Hotel, which is situated between Cau Giay and Lieu Giai Streets)

The Vietnamese Government first invested in the Museum in 1986 and construction of the foundation began in late 1989. According to the proposal, the total budget for construction was 27 billion of Vietnamese dong (US$ 1.9 million), not including 4 billion dong (US$ 285,000) for collecting and exhibiting the artefacts.
The exhibition building of the Museum was designed by the architect Ha Duc Linh, a Tay minority, who works for the Living Houses and Public Works Building Company, Ministry of Construction. The interior architecture was done by Mrs. Veronique Dollfus, a French architect.

The Museum is divided into two parts: an indoor and an outdoor exhibition. The indoor part is composed of the exhibition building, office, research centre, library, storage, technical lab and auditorium. These offices cover 2,480m2, including 750 m2 for storage of artefacts. The outdoor exhibition, which will be accomplished in the first years of the 21st century, is to highlight different types of houses in all parts of Vietnam. Pathways link the indoor and outdoor exhibitions with each other. Since its inauguration on the occasion of the 7th Summit of Francophony in Hanoi, give date the Museum receives about 60,000 visitors annually.

What is new at the Vietnam Museum of Ethnology?


The Vietnam Museum of Ethnology is a valuable centre for the exhibition and the preservation of cultural heritages of the 54 ethnic groups in Vietnam. To date, the Museum has collected 15,000 artefacts, 2,190 slides, 42,000 photographs, 237 audiotapes, 373 videotapes and 25 CD-ROMs. It is also a centre for ethnographic research employing many experts on the different ethnic groups. People come to the Museum just not to visit or entertain, but also to learn about these ethnic groups, their cultural diversity and the uniqueness of each group and region, as well as traditional values throughout the Vietnamese country. For this reason, national and international visitors, children and students, professionals and non-professionals are attracted to the Museum.

The artifacts of the Museum are not only priceless antiquities, but many are everyday objects, such as knives, baskets, garments, flutes, pipes and mats. These objects reflect tangible and intangible cultural heritages of the communities, representing lives and creative activities of the people. Thus, artifacts of the Museum are so varied that they are organized into different collections. The Museum has 54 collections of each individual ethnic group. Functionally classified, there are collections of clothing, jeweler, of agricultural tools, fishing instruments, weapons, household utensils and musical instruments. In addition, there are collections of artifacts related to the various religions, beliefs, wedding ceremonies, funeral ceremonies and other social and spiritual activities. Based on the specific collections, the Museum organizes exhibitions and publishes books and catalogues in different formats in order to meet the needs of various audiences of different backgrounds.

The two-floor building, which is inspired by the Vietnamese famous and ancient bronze drum, holds the permanent collection. A granite bridge leads from the main gate to the entrance of the exhibition, creating a feeling of going up to a house-on-stilts which is very popular in many areas of Vietnam. On entering the Museum, the granite floor is decorated with dark tiles arranged in the shape of an S. This decoration symbolizes the shape of the Vietnamese coastline, the earth is in dark color and the ocean is light grey.

The Vietnam Museum of Ethnology has been designed to reflect the country's technical and scientific progress as well as the Museum’s objectives. First of all, the Museum was created for everybody. This is reflected in both the architecture and the display techniques. The Museum has ramps for physically challenged people and an electric elevator allowing access to the second floor. All steps have handrails that are very comfortable for older people. Learning from the experiences of many museums in the world, the museum texts are not in capital letters but small letters so that it is easy for people of different ages to read them. Panels are presented at reasonable heights, for both adults and children. In addition to objects, there are photographs, texts, videos and many reference materials, all of which can be brought into full play to inform visitors with different levels of education and different needs.

The objects are displayed as centerpieces because they reflect the everyday lives of the people. The Museum’s consistent point of view is that the display should be simple, so that visitors can admire the beauty and finesse of each ordinary and simple item. Although there are no illustrative paintings in the Museum, photographs and videos are used to illustrate people’s lives.

A restricted number of 700 objects and 280 photographs are displayed in the Museum’s permanent exhibits, which helps visitors avoid being distracted by an over-representation of artifacts. The different collections are displayed according to language groups and territories. Most of the objects presented in the 97 showcases are original. The showcases have either one-sided windows or four-sided windows, depending on the artifacts presented. For example, some cases present many artifacts; others have only one significant object. Among the showcases in the display, 50 cases are accompanied by texts. Each object has a label denoting its name, the ethnic group and the place where it was created. There are also mannequins, maps, graphs, hardcover books, photographs, videotapes, cassette tapes, models, and 33 section panels. Though the Museum is not large, dioramas highlight certain customs or cultural features of ethnic groups.

Adding to the many layers of information available to visitors, the museum provides hundreds of panels composed of explanations, illustrative photographs and maps. Unfortunately, because of limited space, the texts are condensed. Not only do the texts and the object labels serve a national audience, they are also translated into English and French in order to facilitate international visitors. Thus, visitors experiencing the museum, even without a tour guide, are able to understand the main messages of the displays.

New technical solutions have been used throughout the Museum, such as focused lights. The light radiates inside and outside the glass windows focusing on the most significant aspect of each object in order to set off its beauty and draw visitors’ attention. In addition, a ventilation system has been installed within each display area to protect the objects from mould and decay.

The outdoor exhibition area is only large enough for the most popular architectural styles to be represented. Already presented are the Ede long house, the Tay stilt house, the Yao house half on stilts, half on earth, the Hmong house whose roof is made of pomu wood, the Viet house with tile roof and the Giarai tomb. There are future plans to present the Bahnar communal house, the Cham traditional house and the Hanhi house made with beaten walls. Between the houses, there are trees indigenous to the area of each house, zigzagging paths and a meandering stream crossed by small bridges. The outdoor museum is being realized step by step.
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Vietnam Women’s Museum in Hanoi

Vietnam Women’s Museum in Hanoi
Vietnam Women’s Museum in Hanoi
Vietnam Women’s Museum is located in the centre of Hanoi on Ly Thuong Kiet St, Hoan Kiem District, Hanoi. The Vietnam Women’s Museum covers a 4,500m² area planted with beautiful trees.

Vietnam Women’s Museum

It was open on the 20th October 1995 on the 65th anniversary of the Vietnamese Women’s Association’s establishment.

Documents and objects are displayed and carefully preserved and maintained in this place, expressing the role of women in the process of the development of the Vietnamese nation. The museum is also a place for cultural exchange for Vietnamese and international women with the goal of creating “equality, development, and peace”. The exhibits are displayed on an area of 1,200m² on two-storey building; the museum organized around five main themes:
Vietnam Women’s Museum
- Vietnamese women in Vietnamese community.
- The involvement of Vietnamese women in the fight for national independence and national construction.
- The Vietnamese Women’s Association and its struggle to liberate women.
- The culture of Vietnamese women expresses through traditional handicraft products.
-Women costumes of the 54 Vietnamese ethnic groups.

The museum is open daily except Monday, from 8 am to 4 pm. The entrance fee is 10,000VND. 
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Monday, July 2, 2012

Tran Quoc Pagoda in Hanoi

Tran Quoc Pagoda in Hanoi
Tran Quoc Pagoda in Hanoi
Tran Quoc Pagoda is located on an islet of West Lake in Hanoi. Tran Quoc Pagoda is one of the oldest pagodas in Vietnam and a cultural symbol of Vietnamese Buddhism.

It is said that, the pagoda was built under the reign of King Ly Nam De (544-548) under its original name of Khai Quoc (National Founder). It was originally built on the bank of the West Lake and the Red River. In the time of King Le Kinh Tong (1600-1618), the pagoda was removed to the Kim Ngu (Golden Fish) Islet due to the river bank crumbling and was renamed Tran Quoc (National Defence).

Tran Quoc Pagoda Hanoi


Behind the worshipping shrine is the Buddhist trinity followed by corridors, ten shrines and the belfry. In the pagoda, there are many valuable statues, such as the red lac­statue trimmed with gold of Sakyamouni Buddha's Parinirvana and many ancient stelae with the old- one made in 1639 by Doctoral Law- Nguyen Xuan Chinh recording the pagoda's history.

In 1959, on his visit to Vietnam, Indian Prime Minister Razendia Prasat offered the Pagoda a bodhi tree as a gift. The plant was grafted from the holy Bodhi tree where Sakyamuni sat in zen (meditation) position 25 centuries ago. Now the Bodhi tree is green and luxuriant, shading part of the pagoda's yard.

As a religious relic among spectacle ­scenery, Tran Quoc Pagoda is a favourite stop-over of many foreign visitors and pilgrims. 
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Vietnam Revolution Museum in Hanoi

Revolution Museum in Hanoi
Revolution Museum in Hanoi
Revolution Museum is situated at 216 Tran Quang Khai Street, Hoan Kiem District, Hanoi. It established in August 1959, It has been designed into 29 showrooms, containing more than thousands of historical exhibits.

Vietnam Revolution Museum Hanoi

The museum introduces Vietnam-the land and the people from the middle 20th century up to now. The exhibition is divided into:
Visiting hours:
From 8:00 to 11:45 and from
13:30 to 16:15 all days,
festivals, except Mon.
- National liberation movements of the Vietnamese from 1858 to 1945 (from the 1st to the 9th showroom).
- 30 years of struggle against the invaders and protecting the National independence and unifying the country from 1945 to 1975 (from the 10th to the 24th showroom).

Revolution Museum Hanoi

- Developing the economy from 1976 up to now. The collections of Vietnam Economy from 1975 to 2000 are displayed in the room No. 26, No. 27.

- The present collections of the Vietnamese people and of the people in the world offered President Ho Chi Minh and the Vietnam Communist Party (room No. 28 and No. 29).

Especially, the Revolution Museum has a store with thousand of precious objects and documents of the Vietnamese revolution from 1858 up to now.
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Quan Su Pagoda in Hanoi

Quan Su Pagoda in Hanoi
Quan Su Pagoda in Hanoi
Quan Su Pagoda (or the Ambassadors' Pagoda) is at 73 Quan Su Street, Hoan Kiem District, Hanoi.
Characteristic: Formerly, it was a small Buddhist Pagoda, which had been constructed during the Le Dynasty in the 15th century to receive foreign envoys and ambassadors.

Quan Su Pagoda

Quan Su Pagoda was built on the land of An Tap Village, Tho Xuong District, on the southern gate of Thang Long Capital (Quan Su Street, Hanoi nowadays).
Quan Su Pagoda
In 1934, the pagoda was the headquarter of the Northern Buddhist Association.

Since 1942, the pagoda has been restored and expanded many times with a larger and better architectural structure.

Since 1958, this place has acted as the head office of the Vietnam Buddhist Association.
The pagoda opens daily from 7.30 to 11.30am and 1.30 to 5.30pm. 
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President Ho Chi Minh's Mausoleum

Ho Chi Minh Mausoleum
Ho Chi Minh's Mausoleum
In Ba Dinh Square, Ba Dinh District, Hanoi.Characteristic: The construction of the Mausoleum started in September 1973, on the foundations of the old rostrum in Ba Dinh Square where president Ho Chi Minh used to chair national meetings.

Ho Chi Minh's Mausoleum

Ho Chi Minh's Mausoleum

Ho Chi Minh's Mausoleum was completed nearly two years later on August 29, 1975.
Engraved on the front of the Mausoleum is Chu Tich Ho Chi Minh, meaning "President Ho Chi Minh". Uncle Ho's dead body dressed in faded khaki clothes and plain rubber shoes was put in a glass coffin.
The Mausoleum is the everlasting rest house of the greatest leader of Vietnam.
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Pavilion of the constellation of Literature

Literature Temple in Hanoi
Literature Temple in Hanoi
Pavilion of the Constellation of Literature is in Temple Literature on Van Mieu Street, Dong Da District, Hanoi.
Characteristic: Khue Van Cac, or Pavilion of the Constellation of Literature, was built under the Nguyen Dynasty (1802-1945).

The artifacts, collected during the recent excavation drives around Van Mieu (Temple of Literature) in Hanoi proved the architecture of this site belongs to the Ly (1010-1225) and Tran (1225-1400) dynasties.

Constellation of Literature in Hanoi


Life of the students in olden times is reflected through these artifacts and seemed to be simple and pure compared to that of the city dwellers. Van Mieu - Quoc Tu Giam (National College) now preserves 82 steles engraved with the names of 1,306 doctors who obtained the doctoral titles at 82 royal examinations, held from 1442 to 1779.
Literature Temple Hanoi
Although Van Mieu was built long ago, some architectural complexes in this area were erected much later. One of them was Khue Van Cac. In 1802, Gia Long took the throne and built the capital in Hue. In 1805, the Commander of the Northern Citadel, Nguyen Van Thanh, ordered the construction of Khue Van Cac at Van Mieu. This project was carried out at the same time as the erection of the surrounding walls around Van Mieu in 1833.

The pavilion was a two-storey complex made of wood and bricks, which is mirrored on the Thien Quang Well. Located in the third courtyard (from the front gate), the pavilion's ground floor is empty with four brick pillars of 85cm x 85cm engraved with designs of clouds. The pillars stand on a square base, 6.8m x 6.8m, which is covered with Bat Trang bricks. The upper floor, made of wooden frames, stands on four brick pillars, with four round windows facing the four directions and having rays like the sun. This floor is the symbol of the brilliant constellation that is shining. The Oriental people consider this star as a symbol of literature. On this floor, the balustrade is supported by engraved wooden pieces and a gilt board with three letters of Khue Van Cac hanging on the wall.
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Titop Beach in Halong Bay

Titop Beach in Halong Bay
Titop Beach in Halong Bay

Some 14km east of Bai Chay is Titop Beach, which takes the shape of acres cent encamp passing the island. Small though it might be, it wins kudos for its quiet and airy atmosphere, its clean and clear waters, as well as its alluring landscape.

Titop Beach of Halong Bay

Titop Beach in Halong

In 1962, President Ho Chi Minh and the Russian astronaut Germane Titop came to this beach.

Hence its name Titov. At present, there has a bar in the island, which also provides swimming costumes, floats, and lukewarm shower. Fresh water was carried to the island from inland. The Titop Beach has become a popular tourist destination.

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Bai Chay in Halong Bay

Bai Chay in Halong Bay
Bai Chay in Halong Bay
Bai Chay is a large, beautiful, artificial beach, closed to the coast of Halong Bay The 100m-wide-sandy beach spans over 500m. The asphalt road winds its way through the white sandy beach and luxuriant casuarinas.

Bai Chay Beach in Halong Bay

Bai Chay in Halong
The Bai Chay Tourist Site is fast changing into one of the most captivating of this kind in Halong City. It comprises restaurants, water puppet and traditional music theatres, Hoang Gia Park, water-skiing, and sea motorcycling. The Hoang Gia Park lines along the Halong Road leading from the Bai Chay Tourist Wharf to the gate of the Halong Night Market.

According to one legend, when the fleet carrying food for the Yuan Mongolian Invaders led by Truong Van Ho came there, the Vietnamese troops and locals under the leadership of Tran Khanh Du set fire to it. The whole fleet was engulfed in fire. Meanwhile, the northeast wind blew hard and further added fuel to it. Fire was so fierce it burned down the forest in the western side of Cua Luc. Hence the name Bai Chay.
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Quan Lan Beach in Halong Bay

Quan Lan Beach
Quan Lan Beach in Halong Bay
This beach lies at Quan Lan Island in Bai Tu Long Bay, between Minh Chau and Quan Lan communes of Van Don District, 55km away from Halong City. Its pristine beauty features unspoiled environment.

Quan Lan Beach of Halong Bay

Quan Lan Beach in Halong
The deep blue beach has strong waves and white sand, which spans over several kilometers. Tens of meters away from the beach stand the very green wild pines, which further add to its original charm.

The Viet My Company is investing in a system of guesthouses taking the shape of stilted houses, which hide themselves under the lush foliage of casuarinas. A brick-paved road leads tourists from the artery to Quan Lan Beach. Its pristine beauty and pure environment have made it a Mecca for tourists.
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Cat Ba Island near by Halong Bay

Cat Ba Island
Cat Ba Island of Halong Bay
Cat Ba Island is situated in Cat Hai District, Haiphong City. Cat Ba Island is a tourist spot, attractive for its natural beauty and wonders endowed by nature.

Cat Ba Island - Hai Phong Province

Taking a ride on a car or train for two hours from Hanoi to Haiphong, then on a high-speed vessel for another hour, visitors will arrive at Cat Ba Island, the biggest island (100km�) out of the 366 islands on the Lan Ha Bay.

Right from the moment visitors set foot on Cat Ba gangway, looking afar to contemplate the enchanting scenery of immense sky and magnificent mountains and breathing the fresh air from the sea, visitors will feel comfortable and their tiredness after a long trip will disappear. Surely, visitors want to go on with their journey at once.
Cat Ba Island - Hai Phong


If Visitors should hire a Minsk motorbike, out of 400 motorbikes and cars here, to ride to any place visitors want to visit. First of all, visitors should rent a room in a hotel, because the hotels on this island are often overcrowded due to the ever-increasing number of visitors to Cat Ba Island, although more hotels and hostels are being built. It is very pleasant to stay in a hotel, whose back leans against the mountain and its face looks towards the sea, and enjoy the fresh air and beautiful scenery around.

Visiting the large beaches of Cat Co and Cat Dua, which are separated by a small range of mountain, visitors can swim in the blue and warm water, so clear that visitors can see the golden sand beneath.

visitors do not want to swim at this crowded place, visitors can hire a motor boat to sail to the small islets, where there are calm and clean beaches, such as the Cat Trai Gai, Duong Gianh and Hien Hao. The mountain adjacent to Cat Co Beach has a tunnel and fascinating caves and grottoes, such as Hang Luon, Khe Sau, Trung Trang, Gia Luan and Kim Cuong. Visiting these caves and grottoes you will get the feeling of the explorers, discovering the wonders and mysteries endowed by nature.

Coming out of the caves and grottoes visitors should spend a little time to contemplate the sunset over Lan Ha Bay. On the golden background of the horizon and the dark blue of the sea, the heaving islets become multiform, the white sea-gulls hover and sea-eagles make circles in the sky, all beautifying the immense and fascinating space, and enchanting the visitors.

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Thien Cung Grotto in Halong Bay

Thien Cung Grotto
Thien Cung Grotto in Halong
This recently discovered grotto is one of the most beautiful in Ha Long Bay. Thien Cung is situated on the southwest side of the bay, 4 km from the wharf outside of Ha Long City. It is located in a small range of islands that resemble a throne embracing two superb grottoes at its core.

 

Thien Cung Grotto of  Halong Bay

The way to Thien Cung is perilous, covered on both sides by thick forest. After entering a narrow gate, the magnificent, 130 m long grotto opens up. According to legend, a beautiful young lady named May (cloud) caught the eye of the Dragon Prince and he fell in love with her. They were betrothed and got married in the very center of the grotto.

All of the scenes of their wedding, which lasted for seven days and seven nights, have been seemingly fossilized in the grotto. In the center, there are four large pillars supporting the “roof of heaven”. From the base to the top, many strange images seem to exist in the stone, including birds, fish, flowers and even scenes of human life. On the north wall of the grotto, a group of fairies seems to be singing and dancing in honor of the wedding. Under the immeasurably high roof, stalactites form a natural stone curtain. There is also the sound of a beating drum made by the wind blowing through the stone. In the last chamber of the grotto, a natural gushing stream of water babbles throughout the year. Here there are three small ponds of clear water. One path meanders out of the grotto. 
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Sunday, July 1, 2012

Bai Chay Beach of Halong Bay

Bai Chay Beach
Bai Chay Beach in Halong
Bai Chay is a resort located along the coast of Ha Long Bay. This is a windward ocean resort which has a year round average temperature of 200C (680F).

Bai Chay Beach in Halong

Bai Chay Beach 1

 

Bai Chay is a low gently sloping range of hills that runs along the sea for more than 2 km blended in among the pine trees are large hotels and small villas with distinguished architectural styles. Traveling down the asphalt road along the coast, visitors see long white stretches of sand and green rows of Casuarinas trees, tucked under which are small family-run restaurants. After swimming at the beach, tourists can enjoy cold drinks and cool off in the breeze that sweeps in from the sea.
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Dau Go Grotto in Halong Bay

Dau Go Grotto of Halong
Dau Go Grotto of Halong
Dau Go (Wood head) Grotto is found on Driftwood Island, formerly known as Canh Doc Island. The name Drift wood Grotto comes from the popular story of the resistance war against the Nguyen Mong aggressors.

 

Dau Go Grotto of Halong Bay

In a decisive battle, Tran Hung Dao was given an order to prepare many ironwood stakes to be planted on the riverbed of the Bach Dang River. The remaining wooden pieces were found in 'the grotto and, as a result, the grotto was given its present name. The entrance is reached via 90 steps up the island.

Dau Go Grotto of Halong 1
The grotto is divided into three main parts. In the first chamber, many forms can be seen in the rock, depending on the imagination of the observer. In the middle of the chamber on the top of the pillar, there appears to be a monk draped in a long, dark cloak, with his right hand clasping a cane. Moving into the second chamber, visitors pass through a narrow "door", naturally formed through erosion. The light here is mysterious, and new images appear in the stone. At the end of the grotto is a well of clear water surrounded by four ancient walls. In this grotto, there remains an engraved stone stele singing the praises of Ha Long Bay ordered by Emperor Khai Dinh when he came to visit the grotto in 1917. Dau Go is 40 minutes from Bai Chay. 
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